Bareilly Ki Barfi Movie | Bareilly Ki Barfi Full Movie

Description (English)

Bareilly Ki Barfi, which recently hit the box-office, turns out to be a predictable but ultimately endearing film.

With an interesting premise that begins after just 45 minutes, the film is still a complete watch and Rajkummar Rao proves to be an absolute showstopper, nonetheless!

‘Bareilly Ki Barfi’ Synopsis: Bitti (Kirti Sanon) is an independent young girl who lives life on her own terms and refuses to be pressured into getting married.

Her life changes when she finds a book she believes is based on it and meets Chirag Dubey (Ayushmann Khurrana) and Pritam Vidrohi (a scene-stealing Rajkummar Rao), both Ka has a strong hand in the book which caught Bitti’s attention.

‘Bareilly Ki Barfi’ has a flat beginning and there is nothing new in it to build a relationship between Bitti and Chirag.

Fortunately, Pritam Vidrohi’s entry changes the pace quite a bit and takes the story forward with interesting twists and turns.

The different dynamics of its 3 main characters are interesting and their diverse nature works for the film.

And even though the film is a bit predictable, it still has a sweetness (just like Barfi), to transcend it.

The screenplay by Nitesh Tiwari, Shreyas Jain and Rajat Nonia starts off in a slow tempo but has enough moments later to hide its initial flaws.

Ashwiny Iyer Tiwari’s direction is simple yet effective. Cinematography is good.

Editing could have been crisper.

The art and costume design is meticulously done. The music of various artists is melodious.

Performance-wise: No one can stop Rajkummar Rao, yes! His transformation from a grumpy angry man into a thug-talking partner who eventually stands up for himself is the film’s strongest point.

Rao is a riot and shows his limits as an artist, nonetheless.

He steals the show and goes on with the best moments of the film.

And it is a pity that neither Ayushmann or Keerti can match Rao at any time.

Though Ayushmann has a soulful role, his performance is regular, it is like watching Ayushmann reprise an old act of his and repeat it here.

Sanon looks beautiful and gets a role to hone her acting talent, but she registers an impact only in certain parts.

Among the supporting cast, Pankaj Tripathi and Seema Pahwa are dear as Bitti’s parents.

Swati Semwal also makes a mark as Bitti’s best friend.

Javed Akhtar’s voice-over/narration, which runs for a major part of the film, is filling.

Overall, ‘Bareilly Ki Barfi’ delivers a good time despite some shortcomings. A good Sunday afternoon watch.

Bareilly Ki Barfi Review: I underestimated the movie from its promos and songs but it turned out to be the most entertaining Bollywood movie ever, so I decided to write a review as a redemption.

The plot of the film may bother you in the beginning but when it comes to grips it does not lose its magic till the end.

Kriti Sanon’s most confident performance ever.

Ayushmann does not give up even for a moment.

Rajkummar Rao arrives late but beats everyone in the film.

Supporting Starcast is good, but not so good.

The music is average but the timing of the song is perfect so the songs don’t act as a loo break.

Screenplay is tight and crispy.

It has enough twists and all the ingredients that a desi entertainer should have.

The dialogues are excellent, some will make you laugh a lot and some will be remembered even after finishing the film.

The direction is amazing, never expected so much from Ashwini Tiwari and she surprised me here. Only that uniquely predictable happy ending feels empowering and disturbing.

Overall, Bareilly Ki Barfi is a hilarious entertainer and is as lovely as the title.

A typical Indian audience should taste it once. Go for it, if you are not expecting much then you will be surprised just like me. 6/10* stars from me.

Of late Bollywood has been churning out films set in small towns, exploring culture, people and the environment.

Movies like Dangal, Toilet-Ek Prem Katha, Tanu Weds Manu Returns and Sultan have cleverly touched the hearts of India with strong content that the masses can connect with.

Bareilly Ki Barfi is yet another attempt to bring to the fore a sweet and simple love story.

Bareilly Ki Barfi tells the story of the carefree Bitti (Kriti Sanon), whose life changes when she reads about a character in the book “Bareilly Ki Barfi” who is very similar to her in real life.

Impressed by the book’s author, she enlists the help of the local press owner (Ayushmann Khurrana) to locate the author.

After directing the sparkling film, Nil Battey Sannata, Ashwiny Iyer Tiwari appears in a love story with a predictable ending.

Bareilly Ki Barfi might remind you of love-triangle movies from the 90s like Kuch Kuch Hota Hai, Dil To Pagal Hai, Hum Dil De Chuke Sanam, but it is the full star cast and performance of hilarious dialogues that will keep you at bay. Will keep in

The first half takes time to build but once Rajkummar Rao enters the scene, there is no looking back.

The immensely talented actor will dominate the house with his scintillating portrayal of Pritam.

The screenplay wobbles and the editing could have been better with some scenes cut from the reel.

The art direction is good while the cinematography manages to capture the essence of the city of Bareilly.

Kriti Sanon and Ayushmann Khurrana do well in their respective roles while Pankay Tripathi is brilliant as Bitti’s father.

If you are looking for some good romantic movies, then Bareilly Ki Barfi can be the right option for you.

Bareilly Ki Barfi starts on a promising note – a warmth and light-hearted delivery make for an interesting watch where we also get a good comment on the condition of women in middle-class families.

Bareilly is portrayed beautifully, and director Ashwiny Iyer Tiwari shows a true middle-class sensibility.

Sadly, what happens later as the story develops is a big mess, the film loses direction and adopts a ludicrous narrative, a typical love triangle riddled with caricature characters and little credibility. .

And not only in the narrative you will see an unwanted change.

The early parts of the film mainly focus on the leading lady, relating her story in a pretty realistic way.

It takes about half an hour to move her from the protagonist to a secondary part of a love interest, where a corny subplot involving two people takes precedence.

The whole track of taking a naughty guy and turning him into a cool guy is hardly true and quite childish in fact.

Everything happens very fast, including the idiot’s revenge, heartbreak, and conclusions.

That doesn’t mean the film isn’t entertaining.

It is – it’s funny and entertaining and despite its poor development, the overall feel remains warm and simple, both in terms of setting, dialogue and minor characters. Hence the disappointment.

The production design is actually the film’s major asset, giving it a certain charm that fades as the story gets bogged down in its own mess.

What’s more, the sound design is often terrible, the dubbing is poor and sometimes the line delivery isn’t real (a complete mismatch between picture and sound).

The pace between Ayushmann Khurrana and Rajkummar Rao is similar to that of Shah Rukh Khan and Saif Ali Khan in Kal Ho Naa Ho, but less believable.

Khurana does well at first but then suddenly turns into this victim lover.

One moment he is able to make the idiot do what he will command, and the next he is helpless and cannot stop him from stealing the woman he loves.

I didn’t quite understand his intentions, especially why he didn’t tell the girl that he had written the book and why he didn’t fight when the time came.

Rao is the better – well, the swap between the two personalities isn’t very believable, he substantially overdoes them both, both goofy, awkward and seemingly overconfident.

That said, he is still good at the comical context of the film and is liked all through.

Kriti Sanon is one of the most deceived by the film, initially being its main protagonist and becoming kind of an object of no character.

The ones who shine are the parents, especially Seema Pahwa, who is amazing as a mother. Overall good film, but nothing special.

When this film was released, I did not expect much from this film.

Although the film has positive reviews, the first review I read was negative.

When the film crossed its budget of Rs 200 million and made modest profits in India but crossed Rs 500 million worldwide, I thought of giving it a go.

The film is based on the 2010 novel “The Ingredients of Love” by German author Nicolas Barreau, which was not considered a great novel despite being a best-seller with poor translation in English.

The film is also reminiscent of the 80s Bollywood film Saajan.

Director Ashwiny Iyer-Tiwari, who began her career as a mentor to her husband’s Nitesh Tiwari (Dangal fame) debut film Chillar Party, later made her debut with the critically acclaimed Nil Battey Sanatta.

This triangular love story narrated by lyricist Javed Akhtar is based in Bareilly, a small town in North India.

Bitti (Kriti Sanon), a free-spirited girl, finds the main protagonist of the novel Bareilly Ki Barfi unrecognizable to her.

The novel, written by Chirag Dubey (Ayushmann Khurrana), a printing press owner, however, is published under the name of his friend Pritam Vidrohi (Rajkumar Rao).

Bitti wants to meet the writer and seeks the help of Chirag – who in turn pursues Pritam – a sari seller pretending to be the writer who writes the novel.

Chirag is in love with Bitti, and Bitti is in love with Rebel – the author, but Chirag is the real author of the novel.

With many twists and turns, the triangular love story finally ends on a predictable note.

I must say that I liked the film. It was light hearted and good paced.

The story transcends the nuances of falling into the trap of a regular triangular love story.

All the characters are well crafted and have some depth.

Kriti, Ayushmann and Rajkumar have done well.

The side characters have also got good roles.

There are moments of light smiles and laughter.

Kriti has nailed the role well – she had a great chance to run over-board, but every time we think she’ll overact the bit – she keeps it limited. Direction is good.

The music is a bit dull with no humming tracks.

If one has nothing to do – no more harm will come from watching this film.

It is a time pass light hearted film.

It is very surprising that the film received rave reviews – those who like it grumble about it – those who don’t like it – give a crap about it. I would go with 6.5 out of 10

Bareilly Ki Barfi is one such film that we have seen in many formats but its witty dialogues, witty moments and strong performances make it stand out from the rest.

The screenplay by Nitesh Tiwari and Shreyas Jain is extremely clever and funny at many points throughout the film to keep the entertainment going.

They take their time to perfectly flesh out the characters and bring them to the city of Bareilly along with a sense of realism.

With the direction of Ashwiny Iyer Tiwari, they have been able to achieve this.

Kriti Sanon as Bitti Mishra has given her best performance till date.

She plays her character with attitude and heart to the point where it is believable.

His chemistry with the parents (Pankaj Tripathi, Seema Pahwa) is such a pleasure to watch due to the contrasting views of their parents.

Ayushmann Khurrana was great as Chirag Dubey as he grounded his character for not being over the top. However, the exceptional performance was that of Rajkummar Rao.

Rao’s exceptional dialogue delivery and expression provided some of the best moments of the film.

Whenever he used to come on screen, he used to steal the show. Rao embodied every single aspect of his character.

Rao did not fail to grab the attention of the audience with his accent, gesture and gesture.

The cinematography was great and totally carried me to the city of Bareilly.

The main problem for me was the story.

It was a story that we have seen playing out many times and I thought it was quite predictable.

Despite this, the strong acting of the entire cast, excellent screenplay and Ashwiny Iyer Tiwari’s direction has resulted in the film being very entertaining and entertaining.

When you don’t know the ingredients of a dessert but are fascinated by that name and try to cook it, the tip comes like this.

The lead lead character Chirag Dubey (Ayushmann Khurrana) was conceived as the male lead but was sketched with a gray shade for the surprise factor, which ends up setting him up almost negatively.

This transfers sympathy to another character in the play (Pritam Vidrohi) who was supposed to be the second lead.

When the sad song comes with Chirag’s point of view, you as an audience realize that instead there should be a love song with the point of rebel.

See how the misrepresentation of the characters broke the emotional impact.

The story line, the books of a pseudo-author, stops a girl from running away from home because she thinks the girl in that novel is just like her. She falls for the author and discovers him with the help of the pseudo-writer, who falls for her but never tells him and the rest happens.

Sounds so lame and stale doesn’t it? Bareilly’s name in the title hints that the film will be grounded, but it never touches on it, rather that the deliberately accented accents of the man and woman capture the accent.

The character is so bad that suddenly a heartbroken lover becomes a writer then a punk, then a manipulator then a coward.

He even says on a serious note that “I have made the child of Padhao climb a mango tree, if you come down, you will eat mango khinge and if you go down to death, then you will eat terahvin ka bhoj”.

The line was supposedly male lead lines, but sounds like the typical villain.

The humble Pritam becomes a rebel in an instant!? The pre climax is so long and boring.

Who reads the letter in their marriage ceremony!? Barely or in a small town, does any parent fix a daughter’s marriage without at least asking about the groom’s parents!? According to the dialogue, every character speaks in rhyme, even the narrator!? It causes irritation in excess.

In terms of acting, Rajkummar Rao Pritam is superb as Vidrohi.

In fact, there was scope for that but she found a lot of layers in it.

Pankaj Tripathi as the father of the girl and Seema Pahwa as the mother are very good.

Kriti Sanon is fine. Rohit Choudhary is fine as Munna.