ra one full movie | ra one movie
ra one movie is basically superhero movie. In the movie one is super hero called G One And villain Name Is Ra One. Watch Movie And Enjoy.
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Cast & Crew
Directed by
Anubhav Sinha |
Writing Credits (in alphabetical order)
David Benullo | ||
Kanika Dhillon | … | (dialogue) |
Kanika Dhillon | … | (screenplay) |
Niranjan Iyengar | … | (dialogue) |
Shah Rukh Khan | … | (screenplay) |
Mushtaq Sheikh | … | (screenplay) |
Anubhav Sinha | ||
Rajshri Sudhakar | … | (Dialogue Writer: Telugu) |
Cast (in credits order)
Additional Crew
ravi Akshay | … | post-production coordinator (as Akshay Ravi) |
Lee Alliston | … | line producer (uk) |
Amit Basnet | … | production accountant |
Sue Bellarby | … | production coordinator |
Tanaz Bhatia | … | product placement manager |
Anubhav Chopra | … | marketing assistant |
Joe D’Souza | … | stills photograhpy |
Harish Dinkar | … | Director: Making Of |
Jim Edgar | … | production coordinator |
Lucia Foster Found | … | aerial operations coordinator |
Shailja Gupta | … | digital & new media head |
Richard Hardwick | … | unit manager |
Soheb Hassan | … | behind-the-scenes |
Ganesh Hegde | … | choreographer |
Subhash Jain | … | personal assistant |
Will Keenan | … | development consultant (as William Sees Keenan) |
Gustav Marais | … | support crew |
Naila Mughal | … | hospitality manager |
Peter Muman | … | personal security & bodyguard to Sharukh khan |
Rohit Chandrashekhar Nair | … | IT Support |
Richard Neale | … | on-set computer technician: CompuHire |
Jean-Pierre Nonnet | … | production staff |
Blesson Oommen | … | chief financial officer |
Cyrus Patel | … | creative consultant |
Ashish Ranglani | … | behind the scenes filming |
Akshay Ravi | … | post-production coordinator |
Prashant Roy | … | production assistant |
Debapriya Senanayak | … | stereo lead |
Namrata Shah | … | production coordinator: US |
Rohit Sharma | … | production coordinator |
Amit Shekhar | … | social media promotion |
Navmeet Singh | … | line producer (as Navmeet Arora) |
Johnny Smith | … | additional set production assistant (as John Brian Smith) |
Andy Stephens | … | aerial operations manager |
John William Turner | … | floor runner: dailies |
Abhijeet Ubale | … | production accountant |
Shivangi Udeshi | … | production secretary |
Marc Wolff | … | aerial coordinator |
Transportation Department
Martin Alderdice | … | picture car coordinator |
Kiyani Aziz | … | production driver |
Simon Cullen | … | transportation captain |
Simon Cullen | … | transportation captain |
George Morris | … | vehicle coordinator |
Bruce Patel | … | transportation |
Kash Patel | … | transportation |
Andy Blackburn | … | unit driver (uncredited) |
Script and Continuity Department
Shivam Dwivedi | … | continuity supervisor |
Susie Jones | … | script supervisor: action unit (as Sue Jones) |
Ketki Samant | … | script supervisor |
Ruchira Sehgal | … | script assistant |
Music Department
Akon | … | playback singer |
Shafqat Amanat Ali | … | playback singer |
Amizan | … | musician |
Anubhav | … | lyricist |
Vishal Dadlani | … | lyricist / musical director / playback singer |
Subir Kumar Das | … | Surround Music Mixing (Shree balaji Studios) |
Anvita Dutt | … | lyricist (as Anvita Dutt) |
John Stewart Eduri | … | composer: additional music / score arranged by (as John Stewart) |
James Fitzpatrick | … | contractor |
Abhishek Ghatak | … | album recording/pre mix engineer |
Jan Holzner | … | recording engineer |
Niranjan Iyengar | … | lyricist |
Hamsika Iyer | … | playback singer |
Panchhi Jalonvi | … | lyricist |
Kumaar | … | lyricist |
Shruti Pathak | … | playback singer |
Nic Raine | … | conductor |
Shekhar Ravjiani | … | musical director / playback singer |
Sukhwinder Singh | … | playback singer |
Nandini Srikar | … | playback singer |
Rajshri Sudhakar | … | telugu lyrics |
Lucie Svehlova | … | concert master |
Abhijit Vaghani | … | music producer / score arranged by |
Stanja Vomockava | … | session supervisor |
Location Management
Joshua Benedetti | … | location scout: dailies |
Nicholas Broadstock | … | location marshall |
David Campbell-Bell | … | location manager |
Gareth Crothers | … | location runner |
Katrina Day | … | location assistant |
Paul Desira | … | location marshall |
Eleanor Downey | … | location assistant |
Bill Hayes | … | location manager: second unit |
Cat Ho | … | location assistant: dailies |
Ian Hutchinson | … | co-location manager |
Chris Johnston | … | location runner |
Philip Lobban | … | locations scout |
David Wieder | … | location assistant: dailies |
Jeremy DeCoursey | … | location assistant (uncredited) |
Editorial Department
Debajit Barman | … | view-d editor |
Utsav Bhagat | … | first assistant editor |
Rohan Desai | … | digital intermediate supervisor |
Vikram Dharankar | … | editorial: Prime Focus World |
Richard Fearon | … | colorist |
Suraj Gunjal | … | stereoscopic conform editor |
Parag Kalita | … | post-production coordinator |
Priyal Mahadik | … | stereoscopic conform editor |
Neelkanth Mapara | … | senior stereoscopic editor |
Kunal Moitra | … | associate editor |
Steve O’Leary | … | colorist/rushes |
Sachin Patidar | … | on-line stereoscopic editor |
Pritam.Pol | … | software engineer |
Ejaz Shalkh | … | associate editor |
Girish Takle | … | editorial department |
Ajay Varma | … | Visual Promotion |
Borate Vinod | … | assistant editor |
Costume and Wardrobe Department
Rachel Demski | … | special costume effects |
Katrina Francis | … | suit modeller |
G.B. Jones | … | special costume effects |
Robert Kurtzman | … | special costume effects |
Tom Luhtala | … | effects costume technician |
Radhika Mehra | … | costume assistant |
Casting Department
Harish Dinkar | … | casting / extras casting |
Magda Sobolewska | … | extras casting |
Animation Department
Anita.Dabas | … | animator |
Farooq Azam | … | senior animator |
Kamal Azhar | … | animator |
Pratik Chakraborty | … | lighting artist |
Manab Deori | … | animator |
Yuvraj Singh Dodia | … | animation supervisor |
Jay Doshi | … | animator |
Ashish Dwivedi | … | animator |
Bharat Ghale | … | animator |
Rahul Mohan Gore | … | animator |
Vivian Sebastin Jathanna | … | animator |
Choudhari Jayesh | … | animator |
Alok Joshi | … | animator |
Sojesh Kannoth | … | animator |
Charu Khandal | … | lead animator |
Pawar Krunal | … | animator |
Abhishek Kumar | … | senior animator |
Nilesh Kute | … | animator |
Vishwanath Harihar Mahajan | … | animator |
Patil Mukesh | … | lead animator |
Vishal Nagar | … | lighting artist |
Hiren Patel | … | lead previz artist |
Divyesh Popat | … | senior animator |
Ajay Prakash | … | animator |
Panchal Pratik | … | lead animator |
Kumar Rahul | … | animator |
Swapnil Revankar | … | layout artist/animator |
Mohamed Sameer A. | … | animator |
Subodh Satpute | … | animator |
Arshad Shaikh | … | animator |
Sivashanmugam | … | character td |
Amit Sompura | … | animator |
Satish Kanta Sorensangbam | … | lighting supervisor |
Singh Vinay | … | Senior Animator |
Vinitkumar | … | animator (2011) |
Arvind Vishwa | … | vfx lighting artist |
Faiz Wali | … | lead animator |
Hashmi Zeeshan | … | animator |
Camera and Electrical Department
Ramesha K Barti | … | camera operator: camera attender (as Ramesha Bharathi Bk) |
Arindam Bhattacharjee | … | second assistant camera |
Andrew Bradley | … | central loader |
Phil Brookes | … | chief lighting technician |
Carl Campbell | … | electrician |
Ciro Candia | … | first assistant camera |
Bidhan Chanda | … | key grip |
David Churchyard | … | second assistant camera “a” camera |
Paul Cronin | … | electrician |
Francesco Di Giacomo | … | cinematography: second unit |
Kapil Dubey | … | grip |
Francesco Ferrari | … | second assistant camera: dailies |
Peter Field | … | camera operator: UK |
Max Glickman | … | second assistant camera “b” camera: main unit |
Brian Greenway | … | second assistant camera: “c” camera |
Graham Hall | … | camera operator |
Stacey Hancox | … | crane technician: dailies |
Paul Hatchman | … | grip |
Ganesh Hegde | … | gaffer |
Ganesh s Hegde | … | gaffer |
Gary Hutchings | … | grip |
Rashid Jam | … | key grip |
Russell Kennedy | … | second assistant camera: additional crew |
Shamim Khan | … | gaffer |
Kunal Khatoi | … | Associate cinematographer / first assistant camera |
John Marzano | … | aerial director of photography |
Neha Parti Matiyani | … | camera operator |
Mustafa Merchant | … | techno crane operator |
Peter Myslowski | … | grip |
Dave Owen | … | electrician |
Ken Owen | … | electrician |
Onofrio Nino Pansini | … | camera operator |
James Perry | … | additional second assistant camera |
Francesco Pintore | … | first assistant camera “a” camera: main unit (as Francisco Pintore) |
Dominic Rau | … | video assist |
Chary Sajjana | … | focus puller |
Sanjay Sami | … | key grip |
Mukesh Sharma | … | assistant camera: focus puller |
Sky Sharrock | … | first assistant camera: “b” camera |
Prakash Shetty | … | gaffer |
Rajeev Shrivastava | … | camera operator (as Rajeev Shrivastav) |
Dave Staton | … | best boy |
Shalendra Suwalka | … | camera operator |
Tambi | … | camera: b |
Kapil Verma | … | steadicam operator |
Martyn Welland | … | electrician |
Marc Wolff | … | camera pilot |
Ian Speed | … | libra technician (uncredited) |
Stunts
Tim Ambridge | … | crane supervisor |
Firaz Boss | … | stunts |
Stephanie Carey | … | stunt driver |
Doug Coleman | … | stunt performer |
Matthew Duggan | … | stunt rigger |
Richard Epper | … | stunt driver |
Debbie Evans | … | stunt driver |
Parvez Feroze | … | action director |
Andy Gill | … | stunt coordinator |
Rob Hayns | … | stunt rigger |
Jason Hunjan | … | stunt performer |
Michael Jinks | … | stunt double: Shah Rukh Khan |
Dave Judge | … | stunt rigging |
Tracy Kay | … | stunt actor |
Feroz Khan | … | stunt coordinator |
Parvez Khan | … | action / stunts |
Shamshir Khan | … | stunt coordinator |
Henry Kingi Jr. | … | action coordinator / stunt coordinator |
Dorian Kingi | … | stunts |
Ed Lee | … | stunt equipment wrangler |
Michael Li | … | head stunt rigger |
Paul Lowe | … | stunt double |
Kim Do Nguyen | … | stunt double |
Gabriel Nunez | … | stunt double: Shah Rukh Khan |
Hugh Aodh O’Brien | … | utility stunts |
Sanober Pardiwalla | … | stunt double |
Denney Pierce | … | stunts |
Chris Pollard | … | stunt rigger |
Spiro Razatos | … | action / stunt coordinator / stunts |
Parvez Shaikh | … | Action Director: India / action director / stunt coordinator (as Parvez Sheikh) |
Marcus Shakesheff | … | stunt performer |
Ashraf Stuntindia | … | stunt coordinator |
Michael M. Vendrell | … | action coordinator |
Marlow Warrington-Mattei | … | stunt performer |
Liang Yang | … | stunt double: Tom Wu |
Alvin Zalamea | … | stunts |
Visual Effects by
Savlaram Adhav | … | compositor (as Saviaram Adhav) |
Prasad Adkar | … | visual effects artist |
Ritesh Aggarwal | … | stereoscopic supervisor |
Prashant Agrawal | … | visual effects coordinator |
Kauser Ahmed | … | Compositor |
Ajesh.k.t | … | roto & cleanup |
Francine Almeida | … | matte painter: Prime Focus |
Sneha Amin | … | senior paint artist |
Dwivedi Amit | … | digital compositor |
Sal Ammytrauern | … | animator |
Prem Amrit | … | compositor |
Tushar Anchan | … | senior modeller |
Sagar Aphandkar | … | digital compositor |
Arunraj | … | paint/prep artist |
Abhishek Arya | … | lead match move artist |
Darryl Ashley | … | visual effects artist |
Supriya Avate | … | visual effects supervisor |
Aditya Badekar | … | vfx production coordinator |
Milind Badgujar | … | modeler |
Gaurav Baghel | … | compositor: Alien Sense |
Uday Bhaskar Bandaru | … | visual effects artist |
Deep Banerjee | … | lighting |
Vishal Bansal | … | digital compositor |
Praveen Bareria | … | visual effects |
Ankush Barman | … | digital compositor |
Vishal Bengare | … | matchmove supervisor |
Prabir Bera | … | senior stereoscopic compositor |
Suraj Bhagat | … | stereo compositor |
Shrirang Shrikant Bhake | … | digital artist: Set Modeling Artist |
Burny Bharanidharan | … | head research and development |
Laxman Singh Bhati | … | junior compositor |
Deepak Bhatia | … | visual effects coordinator |
Sagnik Bhattacharjee | … | line producer: vfx |
Yogesh Bhavsar | … | rigging artist |
Rohan Bhingarde | … | visual effects artist |
Gaurav Bhira | … | jr compositor |
Shidhyesh Bhogle | … | lighting lead |
Prakash Bhoir | … | team lead |
Khandu Bidkar | … | stereo compositor: prime focus |
Dinesh Bobade | … | jr.compositor |
Amarjyoti Borah | … | CG artist: Eye Qube Studios |
Debasish Borah | … | digital compositor |
Parismita Borah | … | stereo artist: Prime Focus (as Porismita Borah) |
Sheldon Brathwaite | … | stereo compositor |
Marc Brzezicki | … | stereoscopic compositor |
Francesco Capone | … | stereoscopic training supervisor |
Jason Chalmers | … | senior modeller |
Balaji Chanda | … | digital compositor |
Chandramohan | … | cg modeller |
Shyamsundar Chandrasekaran | … | visual effects artist |
Devrishi Chatterjee | … | senior compositor |
Sayan Chattopadhyay | … | stereoscopic compositor |
Dheeraj Chaudhary | … | compositor |
Jigar Chauhan | … | digital effects artist |
Mahendrasingh Chauhan | … | compositor |
Vishal Chauhan | … | compositor |
Priyank Chaurasia | … | compositing supervisor |
Ritu Chaurasia | … | digital compositor |
Dipak Chetry | … | digital compositor |
Yerra Chiranjeevi | … | compositing supervisor |
Navin Chitta | … | stereo paint artist: prime focus |
Pranjal Choudhary | … | paint artist |
Santosh Choudhary | … | vfx editor |
Mayuresh Chowdhari | … | vfx editor |
Abhineet Christian | … | digital compositor |
James Cundill | … | view-d editor |
Carrel D’Souza | … | vfx production coordinator |
Vikrant Dalal | … | lead fx |
Charles Darby | … | creative director |
Sourav Das | … | vfx compositor |
Lalit Madhukar Dawale | … | visual effects |
Samadrita Deb | … | paint lead |
Jake Delaney | … | stereoscopic coordinator |
Jonald Delos Santos | … | digital compositor |
Varadraj Deorukhkar | … | Stereoscopic Roto Artist |
Rohan Desai | … | global head stereo |
Vishal Desale | … | visual effects artist |
Keith Devlin | … | visual effects supervisor: Prime Focus |
Sudarshan Dhramarajan | … | stereo line producer |
Chethan Diwakar | … | digital compositor |
Komal Dogra | … | visual effects artist |
Sagar Doiphode | … | digital compositor |
Nilesh Doshi | … | digital compositor (visual effects) |
Benoit Duchesneau | … | visual effects artist: Synthespian Studios |
Sander Ellers | … | senior modeller |
Karen Elliott | … | stereoscopic conversion compositor |
Rao Eshwar | … | digital artist |
Akash Fargade | … | roto support |
Joel Feder | … | senior systems administrator: Synthespian Studios |
Gabriele Filippelli | … | matchmove artist |
Rubens Fredrick | … | visual effects artist |
Aron Galabuzi | … | digital paint artist: Prime Focus |
Sandeep Gamre | … | view-d technical lead |
Himanshu Gandhi | … | visual effects artist |
Mayur Gangasagar | … | stereo compositor & element compositing |
Aneel Laxman Ganji | … | visual effects (as Aneel) |
Anshul Gattani | … | stereo compositor: Prime Focus |
Sandesh Gawali | … | 2d supervisor |
Saneesh George | … | matchmove artist: Prime Focus India |
Roopak Ghadei | … | cg supervisor: Labyrinth Cinematic Solutions |
Rupesh Ghadge | … | lighting artist |
Arijit Ghosh | … | compositing supervisor |
Wendy Gipp | … | visual effects producer: Synthespian Studios |
Prashant Goel | … | visual effects artist: prime focus |
Archana Gogikar | … | visual effects artist |
Manoj Gohil | … | compositor |
James Going | … | compositor |
Raphael Gort | … | visual effects artist |
Arushi Govil | … | compositor / visual effects artist |
Rajan Gulati | … | visual effects artist |
Vinod Gundre | … | senior stereoscopic compositor |
Rohan Gupta | … | vfx production coordinator |
Shivakant Gupta | … | paint artist |
Sirish Babu Gurrala | … | roto supervisor: Prime Focus 3D |
Puran Gurung | … | cg supervisor: Redchillies.VFX |
Vumzolian Gwite | … | matchmove: Prime Focus |
Steve Hagenkord | … | digital artist: Synthespian Studios |
Sandip Hambir | … | compositor |
Obaid Haris | … | lead modeller |
Wesley Harland | … | sculptor |
Rao Harshavardhan | … | Sr.Dynamics Artist |
Garman Herigstad | … | visual effects |
David Hewitt | … | model maker |
Haresh Hingorani | … | visual effects supervisor |
Suhaag Hiradhar | … | compositing and vfx |
Peter Seymour Howell | … | senior modeller |
Manik Iratkar | … | digital painter / matte painter |
Albena Ivanova | … | stereoscopic compositor |
Simon Jacobs | … | model unit buyer |
Aanand Jadhav | … | visual effects artist |
Shashank Jadhav | … | digital compositor: Prime Focus |
Snehal Jadhav | … | roto |
Babul Jain | … | matchmove lead |
Nikita Jain | … | digital compositor |
Arundhati Jaiswal | … | compositor |
Sid Jayakar | … | visual effects supervisor: Labyrinth Studios |
Ashwin Joshi | … | digital compositor: Prime Focus |
Vinay Kadam | … | compositor |
Akshat Kaikini | … | compositor |
Anand Kambli | … | lead rigging artist: redchilles vfx |
Kotamraju Karthik | … | visual effects coordinator |
Rajesh Kaushik | … | compositor |
Hiral Kawa | … | compositor (as Hiral Vyas) |
Jaideep Khadilkar | … | technical lead |
Hemant Khairnar | … | prep artist |
Swapnil Khandagle | … | senior texture artist (as Swapnil Khandagale) |
Milind Kharade | … | matte painter |
Manish Khatiwada | … | digital compositor |
Jeffrey Kleiser | … | visual effects supervisor |
Rohit Korgaonkar | … | stereoscopic conversion artist |
Zarvan Kotwal | … | visual effects artist |
Slav Kravchenko | … | concept artist |
Sivakumar Krishnamoorthy | … | matchmove artist: tata vcl |
Arun Krishnan | … | matchmove artist |
Sagar Kudle | … | senior modeller |
Darshan Kulkarni | … | cg lighting artist |
Swapnil Kulkarni | … | view-d technical lead |
Arunraj Kumar | … | paint artist |
Gaurav Kumar | … | stereoscopic compositer: Prime Focus |
Mahesh Kumar | … | visual effects artist |
Mani Bhushan Kumar | … | rigging supervisor |
Rajnish Kumar | … | visual effects artist |
S Kumar | … | compositor (as S. Kumar Lingam) |
Vikas Kumar | … | stereo paint artist |
Prakash Kumararajan | … | fx artist |
Jay Lalime | … | digital compositor: Sandbox FX |
Abhijeet Lamture | … | senior texture painter |
Akshay Lanjewar | … | modeler |
Cash B. Lim | … | visual effects production manager |
Prashant Limkar | … | matchmove artist |
Vishal Lokhande | … | visual effects artist |
Armando Lombardo | … | stereoscopic conversion artist |
Melvin Lopes | … | compositor |
Sophie Luto | … | stereoscopic conversion artist |
Vinayak Mahadik | … | digital artist / senior rigging artist |
Vaibhav Laxman Mahajan | … | compositor |
Rajendra Maharana | … | prep artist |
Bulbule Mahesh | … | matte painter |
Deepa Makhija | … | senior compositing artist |
Subhadip Malakar | … | view-d technical lead |
Ashish Malhotra | … | lead compositor: eyeqube studios pvt. ltd. |
Amit Malviya | … | digital compositor: visual effects |
Suchint Mandloi | … | cleanup artist |
Anthony Mariya | … | lead stereoscopic compositor: Prime Focus |
Stephen Mascarenhas | … | head of production stereoscopic conversion |
Helge Mathee | … | visual effects developer |
Jonathan Mcfall | … | prep artist |
Himanshu Meena | … | camera tracker / matchmove artist |
Jay Mehta | … | digital compositor: Jay mehta |
Sagar Mehta | … | cg comp lead |
Mehulmevada | … | visual effects artist |
Anand Ramachandran Menon | … | visual effects artist (as Anand Ramachandran) |
Rudolf Menon | … | lead lighting artist: Vensat Tech |
Midhun | … | visual effects artist |
Shitikantha Mishra | … | visual effects artist |
Sarosh Mistry | … | stereo conversion coordinator: Prime Focus |
Arjun Mitra | … | visual effects |
Srinivas Mohan | … | visual effects supervisor: Chennai |
Udit Mohan | … | digital compositor |
Nadeem Mohd | … | roto paint artist |
Roshan Mokal | … | digital compositor: redchillies |
Vishram Mondkar | … | compositor |
Kapil More | … | compositor |
Parag Nekunj Motani | … | visual effects producer |
Achal Muchhala | … | digital compositor: Red Chillies.VFX |
Sourabh Mukherjee | … | lighting td |
Atyeb Muneer | … | stereoscopic conversion artist |
Vikas Surajbali Nag | … | lead compositor |
Himesh Nagda | … | visual effects co-coordinator: Redchillies VFX |
Jitu Naik | … | compositor |
Tanuja Naik | … | visual effects coordinator |
Bavindra Nama | … | paint artist |
Arjun Namdeo | … | technical director |
Abhilash Nanda | … | compositing supervisor: Alien Sense |
Panchal Narendra | … | motion graphics (as Narendra Mistry) |
Deepak Nayak | … | stereoscopic compositer: Prime Focus |
Surough Nayak | … | IT support: Prime Focus |
Devesh Neema | … | stereo artist |
Ranjeet Nikale | … | lighting artist |
Dayal Nishith | … | visual effects artist |
Sutrave Nitesh | … | digital compositor |
Manish Pachauri | … | stereo paint artist |
Akash Pakhidde | … | digital compositor |
Anupam Pal | … | rotoscoping artist |
Amey Panchal | … | matchmove artist |
Shivkumar Panchal | … | stereo compositor |
Abhijeet Panda | … | digital compositor |
Bhavesh Pandey | … | visual effects artist |
Shambhu Nath Pandey | … | lighting artist |
Snehil Pandey | … | visual effects |
Sujata Pandit | … | sr roto artist: prime focus |
Prem Panigrahi | … | compositor (Alien Sense) |
Rajendra Parab | … | machmove artist |
Piyush Pareek | … | digital compositor |
Ravi Pareek | … | digital compositor |
Prakash Parmar | … | prep artist |
Mohnish Parwani | … | compositor: RedChillies.VFX |
Hanuman Patel | … | digital compositor: Pixelmotion Studio |
Kartik Rajul Patel | … | paint/roto artist |
Shraddha Kishorbhai Patel | … | stereo artist: Prime Focus (as Shraddha Patel) |
Viral Patel | … | visual effects coordinator |
Vishal Rajendra Patel | … | stereoscopic conversion artist (as Vishal R. Patel) |
Shrikanth Patil | … | compositor |
Yadnyesh Patil | … | rotoscopy: TATA ELXSI VLC |
Nishikanta Patra | … | matchmove artist / matchmove artist: REDCHILLIES.VFX |
Sachin Shivajirao Pendalwar | … | paint artist: Prime Focus (as Sachin Pendalwar) |
Melvin Pereira | … | visual effects artist: prime focus |
Varion Pereira | … | stereo artist |
Susheel Peris | … | visual effects supervisor |
Todd Sheridan Perry | … | cg supervisor (as Todd Perry) |
Jimmy Philip | … | stereo supervisor |
Travis Pinsonnault | … | digital artist: Synthespian Studios |
Prasad Posam | … | visual effects artist |
Trishit Pradhan | … | visual effects supervisor: Crest Animation Studios |
Kapil Prajapati | … | digital compositor |
Virendra Prajapati | … | online editor |
Kumar Praveen | … | roto and paint |
Richard Pring | … | view-d editor |
Vivek Pundir | … | line producer: vfx |
Dnyandeep Pundkar | … | lead compositor |
Edward Quirk | … | cg supervisor: Synthespian Studios |
Munna Kumar Rahi | … | Texturing Lead: Eyeqube Studio |
Chandraji Tharanga Rajakaruna | … | stereoscopic compositor |
Rajendra | … | prep artist |
Gaurav Singh Rajput | … | roto/key artist |
Raju | … | CG supervisor: VenSat Tech |
Rakesh | … | matte painter |
Gaurav Rane | … | lighting artist |
Rohit Rane | … | senior compositor |
Mrinal Ranjan | … | roto and paint artist: EyeQube |
Varsha Ranu | … | digital compositor |
Shrivardhan Rao | … | lighting artist |
Kunal Rasal | … | visual effects producer |
Nishant Rastogi | … | digital compositor (as Nishant Sengar) |
Rajeev Kumar Rastogi | … | Line Producer (as Rajeev Kumar) |
Sriranjan Rath | … | compositing supervisor: Alien Sense |
Ankitsingh Rathor | … | digital compositor |
Dheeren Raul | … | matchmove artist |
Dipak Raval | … | visual effects coordinator |
Satya Reddy | … | compositor |
Tyagi Reetuj | … | digital compositor |
Russel Rehmund | … | visual effects artist |
Jun Ren | … | 3d generalist |
Laszlo Rikker | … | stereoscopic compositor |
Sai Krishna Rimmalapudi | … | compositor |
Rjmaharana | … | prep artist |
Andy Rolfe | … | model maker |
Susil Sabat | … | visual effects compositor |
Ankur Sachdev | … | stereo supervisor |
Akshay Sachdeva | … | Sequence Lead Compositor |
Jasdip Sagar | … | stereo paint artist |
Arun Kumar Saigal | … | lead digital compositor: Eyeqube Studios |
Manoj Sakesh | … | compositor |
Amey Sakpal | … | paint lead |
Bhushan Salgaonkar | … | prep artist: Prime Focus |
Sandeepchoudhary | … | visual effects: Prep Artist (as Choudharysandeep) |
Sandeepkumar.Gupta. | … | lighting artist |
Ronak Sanghadia | … | cg supervisor |
Sable Sanjiv | … | stereoscopic technical lead |
Siva Sankar | … | digital compositor |
Navin Saran | … | visual effects producer |
Biswajit Sarangi | … | visual effects (stereoscopic conversion) |
Amritendu madhab Sarkar | … | digital compositor |
Sathiyakumar | … | digital compositor / matchmove artist |
Vishwas Savanur | … | 2d supervisor: Tata Elxsi |
Abhijeet Sawant | … | senior line producer: Redchillies.VFX |
Harshad Sawant | … | roto lead: prime focus |
Yashdeep Sawant | … | senior fx artist |
Brandon Schaafsma | … | visual effects coordinator |
Steve Scott | … | senior modeller |
Dustin Seltzer | … | camera tracker |
Selvakumar | … | digital compositor |
Debapriya Senanayak | … | digital compositor |
Nirakar Sethy | … | matchmoving artist |
Mansi Shah | … | VFX Production Coordinator |
Vishal Shah | … | 3d team lead: Redchillies VFX |
Shahrk2 | … | stereo compositor / stereo compositor: prime focus |
Hussain Shaikh | … | compositor |
Sarfaraaz Shaikh | … | texture artist |
Matt Shapiro | … | digital effects artist: Synthespian Studios |
Arun Sharma | … | roto artist (uncredited) / view-d artist (uncredited) |
Prateek Sharma | … | stereo artist |
Ruchira Sharma | … | visual effects artist |
Shelly Sharma | … | digital compositor: Alien Sense |
Sushant Sharma | … | senior stereo compositor |
Emad Sheikh | … | compositor |
Mayank Shekhar | … | digital compositor |
Sanket Shembekar | … | stereo compositor |
Dilish Shetty | … | sequence lead compositor |
Andrew Shibi | … | project manager |
Sainath Shinde | … | visual effects coordinator |
OmKrishna Shrestha | … | visual effects artist |
Yadav Shridhar | … | animator: Tata Elxsi |
Avdesh Shukla | … | paint supervisor |
Rohan Silimkar | … | jr.compositor |
Abhishek Singh | … | stereo compositor |
Ajit Singh | … | stereo paint artist: Prime Focus |
Akash Singh | … | compositor |
Chandan Singh | … | compositor |
Dinesh Singh | … | Motion Graphic |
Gaurvendra Singh | … | digital compositor |
Nitin Singh | … | stereoscopic coordinator |
Laura Skinner | … | head painter: mattes and miniatures |
Adam Smith | … | digital compositor |
Sneha | … | digital compositor |
Vivek Soni | … | visual effects coordinator |
Satish Kanta Sorensangbam | … | visual effects artist |
C. Soumyadip | … | 2D supervisor: Eyeqube Studios |
Sridharan | … | digital compositor |
Tatampudi SrinivasaRaju | … | senior Modeling/texturing artist: Eyeqube Studios |
Shailesh Surve | … | post-production supervisor |
Rohit Suryawanshi | … | visual effects artist |
Gaurav Sutar | … | stereoscopic compositor |
Nitesh Sutrave | … | digital compositor |
Sutrayepavankumar | … | digital compositor |
Yatin Tamhane | … | Compositing Lead (compositor) (visual effects) |
Shashank Tandle | … | roto artist |
Manuel Tausch | … | visual effects artist |
Devendra Thakur | … | senior compositor: Red Chillies VFX |
Chandrashekhar Thanvi | … | cg supervisor: Eyeqube studios |
Richard Thomas | … | senior modeller |
Nick Thompson | … | stereo coordinator |
Rohan Tirkey | … | lead stereoscopic compositor: Prime Focus World India |
Abhishek Tomar | … | technical director |
Leigh Took | … | visual effects supervisor |
Sachin Toraskar | … | visual effects artist |
Alan Tormey | … | stereoscopic compositor |
Vipin Tripathi | … | roto lead |
Marie Trudeau | … | production coordinator: Synthespian Studios |
Venkat Karunakar Uday | … | visual effects artist |
Aniket Ujjainkar | … | fx artist |
Anurag Utsav | … | visual effects artist |
Jayesh K. Vaishnav | … | digital compositor |
Hemant Valvi | … | roto artist |
Michael Van Himbergen | … | visual effects executive producer: Synthespian Studios |
Mohit Varde | … | stereo conversion artist: Prime Focus |
Rohan Vaz | … | visual effects artist |
Babu Venkatesh | … | compositor |
Lalit Verma | … | modelling artist |
Navin Verma | … | lighting artist |
Akshay Vichare | … | lighting artist |
Sachin Vishwas | … | digital compositor |
Ghanshyam Sureshbhai Waghela | … | visual effects artist: Tata Elexi |
Diana Walczak | … | look development |
Eric Wilson | … | CG supervisor: Powderkeg |
Beryl Wu | … | CG animator |
Keitan Yadav | … | visual effects producer |
Casey Yahnke | … | senior nuke compositor: Prime Focus |
Zhou Yan | … | matchmove supervisor: Pangon Digital (as Yan Zhou) |
Chianjeevi Yerra | … | visual effects |
Anand Zaveri | … | senior effects artist |
Tong Zhou | … | cg artist: Prime Focus Vancouver |
Werner Ziemerink | … | visual effects artist |
Sachin Kumar Chauhan | … | digital artist (uncredited) |
Savyna Indranee Darby | … | visual effects (uncredited) |
Shaikh Faruq | … | digital compositor (uncredited) |
Rohit Prakash Gujar | … | visual effects supervisor (uncredited) |
Guy Hauldren | … | 3d scanning (uncredited) |
Ipixls | … | visual effects (uncredited) |
Nadeem Mohd | … | roto artist (uncredited) |
Mujammil Mulla | … | roto artist (uncredited) |
Shritej Patvardhan | … | roto artist (uncredited) |
Prabhamrit Raryan | … | compositor (uncredited) |
Rajat Roy | … | senior compositor (uncredited) |
Rahul Toraskar | … | roto artist (uncredited) |
Special Effects by
Paul Dunn | … | pyrotechnician |
Colin Foster | … | special effects technician |
Paul Gorrie | … | special effects |
David Greathouse | … | special effects makeup |
Beki Ingram | … | special effects technician |
Rick Jotle | … | special effects: equipment |
Angela Kyriacou | … | model maker |
Matt Loader | … | special effects technician |
Ian Richard Marshall | … | special effects technician |
Nick Martin | … | special effects supervisor |
Alan Tuskes | … | special effects costumes |
Vishal Tyagi | … | special effects supervisor |
Joe White | … | special effects technician |
Will Wyatt | … | special effects technician |
Sound Department
Shalini Agarwal | … | sound assistant / sound recordist: second unit |
Abhishruti Bezbaruah | … | assistant sound editor |
Tarun Bhandari | … | sound recordist |
Kyle Billingsley | … | foley mixer |
Vishakha Bokil | … | assistant sound recordist |
Royston D’Lima | … | sound effects editor |
Subir Kumar Das | … | associate re-recording mixer |
Vijay Das | … | boom operator |
Anup Dev | … | re-recording mixer / sound |
Jayesh Dhakan | … | adr mixer |
Amrit Pritam Dutta | … | sound designer |
Arunav Dutta | … | sound editor |
Shashi Kasare | … | boom operator |
Vijay Kumar | … | foley editing / sound editor |
Rahul Kunkerkar | … | adr associate |
Hengul Medhi | … | associate film mix engineer |
Anand Pawar | … | sound recordist |
Resul Pookutty | … | sound designer |
John Sanacore | … | foley mixer |
Sudesh Sidhu | … | boom operator |
Noel Vought | … | foley artist |
Art Department
Srinivas Achary | … | concept artist / storyboard artist |
Ben Bagley | … | standby props |
Caroline Barclay | … | stand-by art director |
William Budge | … | concept artist |
Timothy Burgard | … | storyboard artist |
Atul Chouthmal | … | storyboard artist |
Richard Grant | … | modelmaker |
Kshamata Sachin Gurav | … | assistant art director |
Douglas Ingram | … | storyboard artist |
Surabhi Laddha | … | assistant art director |
Nicole Lobart | … | concept artist |
Bulbule Mahesh | … | concept artist |
Manmath Matondkar | … | set modeler |
Francesca Payne | … | graphic designer: London |
Steve Register | … | property master |
Marco Anton Restivo | … | assistant art director |
Suresh Selvarajan | … | assistant art director |
Nivedita Shastri | … | assistant art director |
Chris Sibley-Hale | … | standby carpenter |
Tony Statham | … | signs and graphics |
Rupin Suchak | … | assistant art director |
Mel Wignall | … | model maker |
Mark Alexander Wood | … | stand-by painter |
Sebastian Wood | … | assistant to art department |
Kevin Hunter | … | concept artist (uncredited) |
Second Unit Director or Assistant Director
Terry Bamber | … | assistant director |
Prabodh Bhajni | … | third assistant director: prep |
Manish Bharati | … | assistant director |
Meenakshi Budhrani | … | second assistant director |
David Cain | … | key second assistant director |
Aron Clayton | … | additional assistant director: dailies |
Harish Dinkar | … | second assistant director: 2nd Schedule Onwards / third assistant director |
Mannat Ghumman | … | assistant director |
Andy Gill | … | second unit director |
Afshan Hussain | … | additional second assistant director |
Henry Kingi Jr. | … | second unit director: additional photography |
Vaibhav Misra | … | associate director |
Sarah Mooney | … | third assistant director |
Deven Munjal | … | additional first assistant director |
Saloum N’Jie | … | assistant director |
Onofrio Nino Pansini | … | second unit photography |
Jignesh Rathod | … | first assistant director |
Paul Sacks | … | additional assistant director |
Sarah Jean Selway | … | second second assistant director (as Sarah Brand) |
Sagar Shirgaonkar | … | first assistant director |
Atit Shah | … | additional assistant director: prep (uncredited) |
Production Management
Sachin Agarwal | … | location production manager |
Anupam Bose | … | production manager |
David Cain | … | set production manager |
Monica Hada | … | post-production manager |
Sharon McGuinness | … | unit manager |
Ronak Motla | … | production manager |
Siddhesh Sawant | … | production manager |
Amir Shahinsha | … | production manager |
Priyanshu Sharma | … | production assistant |
Shilpan Vyas Tinu | … | post-production supervisor |
Rajan Vanmali | … | production manager |
Makeup Department
Christine Allsopp | … | hair stylist / makeup artist |
Brian Demski | … | special effects artist/moldmaker |
Andrea Finch | … | key hair designer / key makeup designer |
Raaj Gupta | … | key hair stylist |
Pompy Hans | … | makeup artist |
Arun Indulkar | … | makeup artist |
Manish Joshi | … | makeup designer |
Ritesh Naik | … | makeup artist |
Vinod B. Upadhyay | … | makeup department head |
Makeup Department
Christine Allsopp | … | hair stylist / makeup artist |
Brian Demski | … | special effects artist/moldmaker |
Andrea Finch | … | key hair designer / key makeup designer |
Raaj Gupta | … | key hair stylist |
Pompy Hans | … | makeup artist |
Arun Indulkar | … | makeup artist |
Manish Joshi | … | makeup designer |
Ritesh Naik | … | makeup artist |
Vinod B. Upadhyay | … | makeup department head |
Costume Design by
Robert Lever | ||
Manish Malhotra | ||
Naresh Rohira | ||
Anaita Shroff |
Set Decoration by
Marshall Aver | … | (London) |
Art Direction by
Sabu Cyril | … | (production designer) |
Nick Dent | ||
Santosh Kotkar |
Production Design by
Amy Danger | ||
Marcus Wookey |
Casting By
Harish Dinkar | … | (casting by) |
Prasun Mukherjee | ||
Jeremy Zimmermann |
Film Editing by
Sanjay Sharma | ||
Martin Walsh |
Cinematography by
V. Manikanandan | … | co-director of photography |
Nicola Pecorini | … | director of photography |
Music by
Vishal Dadlani | … | (as Vishal Shekhar) (music) |
Shekhar Ravjiani | … | (as Vishal Shekhar) (music) |
Produced by
Dilip Borkar | … | Line Producer Goa |
Sanjiv Chawla | … | executive producer / senior associate producer |
Swapna David | … | executive producer |
Tim Dennison | … | line producer: UK |
Andrew Heffernan | … | co-producer |
Gauri Khan | … | producer |
Sameer Khan | … | line producer |
Shah Rukh Khan | … | producer (uncredited) |
Sunil Lulla | … | co-producer |
Karim Morani | … | associate producer |
Anil Sable | … | executive producer |
Prashant Shah | … | executive producer |
Navmeet Singh | … | line producer |
Mohammed Tariq | … | production co-ordinator: UK |
Rajan Vanmali | … | executive producer |
Thanks
Jasmine Jaisinghani | … | special thanks |
Karan Johar | … | special thanks |
Kanal Kannan | … | special thanks |
Tarun Mansukhani | … | special thanks |
Description (Hindi)
रा वन मूवी में अपने बेटे के सुझाव के बाद, शेखर एक एक्शन गेम तैयार करता है जहां नायक नायक की तुलना में अधिक शक्तिशाली होता है।
तीसरे स्तर तक पहुंचने के लिए खिलाड़ी को पहले दो स्तरों में लड़ना पड़ता है, जहां जो भी पहले गोली चलाता है वह जीत जाता है।
रा वन मूवी में खेल को इसकी शुरुआती रात में अच्छी तरह से प्राप्त किया जाता है, लेकिन चीजें गलत हो जाती हैं जब प्रतीक खेलना बंद कर देता है और बीच में ही खेल छोड़ देता है, रा वन फुल मूवी में केवल रा.वन के क्रोध को आमंत्रित करने के लिए,
खेल का खलनायक जो भौतिक रूप धारण करने के लिए उन्नत तकनीक का उपयोग करता है।
वह प्रतीक को नष्ट करना चाहता है, जिसे केवल खेल का नायक जी.वन ही होने से रोक सकता है
पैसे की कितनी भयानक बर्बादी है। रा वन मूवी में 2+ घंटे सबसे खराब तरीके से बर्बाद हुए। कोई गुण नहीं, कोई कहानी नहीं, ढीली स्क्रिप्ट, ओवर एक्टिंग, पूरी तरह से बेहूदा और सस्ता हास्य।
लीड रोल अर्जुन राम पाल का होता तो और अच्छा होता। रा वन मूवी में अपना पैसा बचाओ वरना पछताओगे। मुझे एक दोस्त ने कहा था कि फिल्म के लिए जाने से पहले घर पर समझदारी छोड़ दो।
लेकिन मुझे लगता है कि समझदारी को पीछे छोड़ देना भी काफी नहीं है। रा वन मूवी में अनावश्यक स्थानों पर प्रभाव का उपयोग किया जाता है जबकि बहुत से स्थान जहाँ विशेष प्रभाव से भूखंड को मजबूत किया जा सकता था, गायब थे।
बचकानी फिल्म जो समझदार बच्चों को भी नहीं पसंद आएगी।
काश, इन अभिनेताओं में से किसी एक द्वारा मुख्य भूमिका वाली फिल्म में उतना ही पैसा, रा वन मूवी में और जनशक्ति का निवेश किया जाता: –
रा वन फुल मूवी में आमिर खान, ऋतिक रोशन, इरफान खान भारतीय सिनेमा में ऐसी फिल्मों में एक महान मील का पत्थर होते या फिर अजय देवगन, सलमान खान, इमरान खान, अक्षय कुमार आदि का भी इस्तेमाल किया जाता तो यह सभ्य और मनोरंजक होता।
मैं यह याद रखने की कोशिश कर रहा हूं कि मैंने इसे देखना क्यों चुना। यह आसानी से साल की सबसे खराब फिल्मों में से एक है।
बेशक, मैंने अभी तक अनुभव सिन्हा को एक अच्छी फिल्म बनाते हुए नहीं देखा है और मुझे समझ नहीं आता कि शाहरुख के साथ क्या गलत है।
अगर वह साल में एक या दो फिल्में बनाने जा रहे हैं तो कोई उनसे चयनात्मक होने की उम्मीद करेगा।
वापस रा वन फुल मूवी में, एक विज्ञान-फाई सुपरहीरो फ्लिक बनाने का यह घटिया प्रयास हास्यास्पद रूप से खराब है। सबसे पहले बॉलीवुड एक्शन फ्लिक और स्लो मोशन के साथ क्या है?
क्या यह फिल्म को लंबा बनाने की कोशिश है? धीमी गतियों की बात करें तो पेसिंग भयानक है।
‘रा.वन’ कहने से ज्यादा शो है। रा वन मूवी में विशेष प्रभाव, विशेष रूप से सीजीआई, हॉलीवुड के मानकों से मेल नहीं खाते।
रा वन मूवी में बेशक यह और भी कष्टप्रद है कि सिन्हा हर एक क्रिया को समझाते हुए दर्शकों को चम्मच से खिलाते हैं। इसके अलावा हास्य के प्रयास दयनीय हैं क्योंकि ‘मजाक’ सपाट हो जाते हैं।
गाने भयानक हैं और मुझे आश्चर्य हुआ कि उन्होंने मेरे सर्वकालिक पसंदीदा गीतों में से एक, ‘स्टैंड बाय मी’ को तोड़ दिया और सुंदर मूल गीतों को घटिया बॉलीवुड लाइनों के साथ बदल दिया।
अभिनय भी उतना ही भयानक है। रा वन मूवी में करीना कपूर से यही उम्मीद की जाती है लेकिन शाहरुख भी सबसे ऊपर जाते हैं।
शाहना गोस्वामी बर्बाद हो गए हैं। अपने कैमियो में प्रियंका चोपड़ा इरिटेट कर रही हैं. अच्छा प्रदर्शन करने वाले एकमात्र अभिनेता अर्जुन रामपाल हैं। रा वन मूवी में वह निश्चित रूप से शीर्षक भूमिका में फिट बैठते हैं।
मुझे नहीं पता कि इस घटिया फिल्म ने अच्छा कारोबार किया या नहीं क्योंकि अगर ऐसा होता है, तो इसका सीक्वल बनने जा रहा है। रा वन मूवी में नहीं!!! रा नहीं।दो!
इसे बॉलीवुड से अब तक की सबसे बड़ी और सबसे घटिया फिल्मों में से एक के रूप में प्रचारित किया गया है और चूंकि सिनेमा में मेरी रुचि है, रा वन मूवी में इसलिए मैंने इसे करने का फैसला किया।
ज्यादातर मामलों में, यह बड़े पैमाने पर दर्शकों के लिए एक विशिष्ट भारतीय फिल्म है: कम से कम कथानक, कुछ हद तक ओवरएक्टिंग, हिंदी के अलावा अन्य भाषाओं की चापलूसी, भरपूर एक्शन, कुछ ड्रामा और उत्साह,
बहुत सारे हास्य और थप्पड़, बेशक संगीत, गायन और नृत्य, और – हाँ – एक मध्यांतर।
रा वन फुल मूवी में जो चीज इस काम को थोड़ा अलग बनाती है, वह है स्पेशल इफेक्ट्स और कंप्यूटर ग्राफिक्स का खर्च।
लेकिन हॉलीवुड को डरने की कोई बात नहीं है: यह फिल्म अमेरिका या यूरोप में भारतीय सिनेमा के लिए नए दर्शकों को जीतने वाली नहीं है और वास्तव में कई कथानक और दृश्य तत्व (बेहतर) हॉलीवुड फिल्मों से बहुत व्युत्पन्न हैं।
रा वन फुल मूवी में ऐसे सभी प्रकार के चुटकुले हैं जिन्हें गैर-भारतीय दर्शकों द्वारा नहीं उठाया जाएगा और चीनी-विरोधी नस्लवाद का थोड़ा सा हिस्सा है।
यह सब कहने के बाद, यदि आप केवल प्रवाह के साथ चलते हैं, तो यह एक मनोरंजक नाटक है और मुझे भारतीय शैली के गायन और नृत्य का आनंद मिलता है। तो, यह सब क्या है?
यह सुपर-हीरो शैली में एक भारतीय योगदान है, हालांकि अजीब तरह से शीर्षक – लंकेश्वर रावण नामक एक पौराणिक चरित्र के लिए एक संकेत – सुपर-खलनायक का संदर्भ है रा वन मूवी में ।
दोनों पात्र शेखर सुब्रमण्यम द्वारा अपने नियोक्ता और उनके बेटे दोनों के आग्रह पर बनाए गए कंप्यूटर गेम से निकलते हैं।
भारतीय सुपर स्टार शाहरुख खान (SRK) शेखर और उनके परिवर्तन-अहंकार दोनों शक्तिशाली लेकिन ऑटिस्टिक जी।
जो, कुछ क्लेशों के बाद, स्वाभाविक रूप से उपनाम “रा वन मूवी में की दासता साबित होता है।
दोनों अवतारों में, उन्हें क्रमशः लंदन और मुंबई में अपने जीवन में प्यारी करीना कपूर का समर्थन प्राप्त है।
यदि आप एक बेहतर भारतीय फिल्म देखना चाहते हैं, तो “माई नेम इज खान” के लिए जाएं, जिसमें शाहरुख भी हैं, लेकिन एक वास्तविक संदेश है – रा वन मूवी में हालांकि गायन और नृत्य माइनस है
अपने व्यावसायिक व्यवसाय की बात करें तो, RA-ONE दुनिया भर में पिछले कई रिकॉर्डों को तोड़ते हुए एक अभूतपूर्व शुरुआत कर सकता है।
रा वन मूवी में लेकिन सिनेमाई शब्दों में फिल्म की शुरुआत बहुत ही खराब और औसत दर्जे के नोट से होती है। सही शब्दों में, फिल्म का पहला घंटा खुद किंग खान द्वारा बनाए गए सभी अति-हाइप से काफी कम है क्योंकि यह न तो आपको अपने सुपर-ह्यूमन जी-वन के साथ पेश करता है,
न ही यह अपने प्रभावशाली पारिवारिक दृश्यों के साथ आपका पर्याप्त मनोरंजन करता है और RA.ONE नामक गेम बनाने के बहुत लंबे कंप्यूटर लैब सीक्वेंस।
जैसा कि अपनी रिलीज से पहले खुलासा किया गया था, रा वन मूवी में दो सुपर-ह्यूमन पात्रों के बारे में बात करती है जो अपने आभासी खेल से वास्तविक दुनिया में कदम रखते हैं और फिर उन्हें समय पर सुधारने की आवश्यकता होती है। जैसे ही आप G-ONE अच्छे रोबोट से मिलते हैं, RA.ONE नामक बुरे रोबोट से लड़ने के लिए बाहर आते हैं,
एक पंक्ति की कहानी का अनुमान लगाया जा सकता है। तो कहानी के दृष्टिकोण से आपके पास अंत तक आपको आश्चर्यचकित करने के लिए कुछ भी नहीं है।
लेकिन तकनीकी प्रतिभा के अलावा फिल्म अपने प्रदर्शन से भी आपको प्रभावित करने में विफल रहती है। फ़र्स्ट हाफ़ मुख्य रूप से बाप-बेटे के रिश्ते के बारे में दिलचस्प तरीके से बात करता रहता है और फिल्म वास्तव में लगभग एक घंटे के कई भावनात्मक पारिवारिक दृश्यों के बाद शुरू होती है। लेकिन जैसे ही नायक जी-वन स्क्रीन पर आता है,
यह दो रोबोटों के कुछ शानदार चित्रमय प्रतिनिधित्व के साथ वहां से निकल जाता है और प्रभाव डालना शुरू कर देता है। मध्यांतर के बाद भी यह कहानी को मुंबई हवाई अड्डे पर ले जाने के लिए एक सुखद लड़ाई अनुक्रम प्रदान करता है,
लेकिन बाद में एक पूरी तरह से अनुमानित मंच पर कदम रखता है, यह सब एक बहुत ही कमजोर और सामान्य चरमोत्कर्ष के साथ समाप्त होता है।
सीधे तौर पर, उन्होंने परियोजना पर 150 करोड़ खर्च किए होंगे, लेकिन फिर भी यह एक बहुत अच्छी तरह से सोची-समझी, काम की गई या असाधारण रूप से नियोजित परियोजना के करीब कुछ भी नहीं है क्योंकि यह सब एक बुरी तरह से लिखी गई स्क्रिप्ट पर आधारित हैरा वन फुल मूवी में जो मनोरंजन कारक को पूरी तरह से और अनजाने में अनदेखा करती है।
केवल इसकी चित्रमय सामग्री पर अधिक निर्भर करता है। रा वन फुल मूवी में सरल शब्दों में, तकनीक की खूबियों को अलग रखते हुए यह बॉलीवुड की एक और सामान्य परियोजना है जहां अनिवार्य गाने किसी भी क्षण शुरू हो सकते हैं, एक मजबूर कॉमिक ट्रैक निचोड़ा जाता है जिसमें शायद ही कभी काम करता है और महिलाओं को व्यस्त रखने के लिए थोड़ा भावनात्मक विस्फोट भी होता है।
तो इस तथ्य के बावजूद कि शाहरुख एक इमारत से दूसरी इमारत में उड़ने वाली फिल्म में अपना पूरा प्रयास करते हैं, कई महंगी कारों को आसमान में उड़ाते हैं, रा वन मूवी में एक तेज ट्रेन को अपने नंगे हाथों से रोकते हैं और छम्मक छल्लो, आरए के हिट ट्रैक पर नृत्य भी करते हैं।
रा वन मूवी में अभी भी अपनी दिनचर्या, पूर्वानुमेय कहानी और खराब लिखित पटकथा के कारण दर्शकों में वांछित उत्साह पैदा करने में विफल रहता है।
रा वन मूवी में इसके अलावा यह वास्तव में एक फिल्म के लिए अस्वीकार्य था, जो आदर्श रूप से बच्चों की फिल्म होने के लिए है, इसके प्रमुख अनुक्रमों में ऐसे शब्दों और कार्यों का उपयोग करने के लिए। उदाहरण के लिए, ज़रा सोचिए, 8-10 साल का बच्चा हंसते हुए कंडोम कह रहा है या G.ONE को अपने प्रतिद्वंद्वी के मुख्य हिस्से को हथियाने के लिए कह रहा है।
इसके अलावा, एक मोटी महिला शिक्षिका अपने छात्रों के सामने पोल डांसर की तरह नाच रही है, जिसे अच्छा रोबोट G.ONE माना जाता है, करीना की पीठ पर “बेब्स” कहते हुए थपथपाती है, एक खूबसूरत लड़की की दरार को देखती है या करीना की छाती को पकड़ती है और फिर एक समलैंगिक पुलिस अधिकारी (विचारोत्तेजक भावों के साथ) G.ONE को अपनी शर्ट उतारने के लिए कह रहा है,
जिसमें वह स्थान दिखा रहा है जहां उसके शरीर पर अंगूठियां छेदी गई हैं। सीमाओं को पार करते हुए, बस मुझे बताएं कि कौन सी किड्स मूवी उम्मीद करती है कि कोमल उम्र के बच्चे “इस्की ली, उसकी ली और सबकी ली” जैसे नामों पर हंसेंगे, जो एक खेल में काल्पनिक महिला योद्धा हैं, जो स्क्रीन पर दिखाए जाते हैं।
प्रदर्शन विभाग में, पूरी स्टार-कास्ट में से केवल अर्जुन रामपाल ही RA.ONE के अपने छोटे लेकिन शक्तिशाली चित्रण में किसी तरह का प्रभाव डालने में सक्षम हैं,
इसके बाद अरमान वर्मा शाहरुख के प्रतिभाशाली बच्चे की भूमिका निभा रहे हैं। इसमें कोई शक नहीं कि किंग खान के प्रशंसक उन्हें सुपर-हीरो के रूप में देखना पसंद करेंगे, लेकिन साथ ही वे अपने आराध्य स्टार द्वारा दिए गए भावहीन अभिनय में प्यार और गर्मजोशी को याद करने वाले हैं।
वास्तव में जी-वन के रूप में शाहरुख 2 के शुरुआती दृश्यों ने मुझे माई नेम इस खान में उनके प्रदर्शन की याद दिला दी। और मुझे वास्तव में यह पसंद नहीं आया कि वह अपने अजीब तरह के हेयर-स्टाइल में आईटी की दुनिया में काम करने वाले दक्षिण भारतीय प्रतिभाओं का मजाक उड़ाए। करीना कपूर फिल्म है,
सिर्फ इसलिए कि एक सुपर-हीरो फिल्म में एक महिला अच्छी दिखने वाली शोपीस होनी चाहिए और वह इसे पूर्णता के साथ करती है। और फिर शाहना गोस्वामी, दिलीप ताहिल, संजय दत्त, प्रियंका चोपड़ा, सतीश शाह और अन्य जैसे अपने छोटे दृश्यों में बहुत सारे कलाकार बर्बाद हो गए हैं।
ROBOT से ली गई प्रेरणा के अलावा, RA.ONE में क्लासिक सुपर-हीरो फिल्मों जैसे फ्रेंकस्टीन, टर्मिनेटर -2, स्पाइडर-मैन, आयरन-मैन, बैटमैन, बाइसेन्टेनियल मैन और मैट्रिक्स के कई संदर्भ हैं।
इसमें मिस्टर बीन के एक एपिसोड से प्रेरित पार्किंग सीन भी है और इसमें बैटमैन के लिए डिजाइन किए गए पोस्टर से इनपुट लेने वाला एक पोस्टर भी है।
इनके अलावा, रा वन फुल मूवी में कायर पिता और उत्तेजक बच्चे के रिश्ते ने मुझे “पापा द ग्रेट” (2000) नामक एक किशन कुमार की फिल्म की भी याद दिला दी, रा वन फुल मूवी में जो कि एक ही विषय पर आधारित थी। और दिलचस्प बात यह है कि किशन कुमार टी-सीरीज़ के मालिकों में से एक हैं, जो कंपनी है
Description (English)
In ra one movie Following his son’s suggestion, Shekhar creates an action game where the protagonist is more powerful than the protagonist.
To reach the third level, the player has to fight in the first two levels, where whoever shoots first wins.
The game in Ra One movie is well received on its opening night, but things go wrong when Prateek stops playing and leaves the game midway, with only Ra.One in the Ra One full movie. To invite anger,
The game’s villain who uses advanced technology to take on a physical form.
He wants to destroy the emblem, which only the protagonist of the game, Jeevan, can stop.
What a terrible waste of money. 2+ hours wasted in Ra One movie in the worst possible way. No qualms, no story, loose script, over acting, completely sloppy and cheap humour.
It would have been better if the lead role was of Arjun Ram Pal. Save your money in Ra One Movie or you will regret it. I was told by a friend to leave Wise at home before going for a film.
But I think it is not enough to leave wisdom behind. Effects are used in unnecessary places in Ra One movie, while many places where special effects could have strengthened the plot were missing.
A childish film that even sensible kids will not like.
I wish the same amount of money, more manpower was invested in Ra One movie by one of these actors in a movie with lead role :-
Aamir Khan, Hrithik Roshan, Irrfan Khan in Ra One Full Movie would have been a great milestone in Indian cinema if such films or Ajay Devgan, Salman Khan, Imran Khan, Akshay Kumar etc were also used, it would have been decent and entertaining. .
In ra one movieI’m trying to remember why I chose to watch it. This is easily one of the worst movies of the year.
Of course, I haven’t seen Anubhav Sinha making a good film yet and I don’t understand what’s wrong with Shah Rukh.
One would expect him to be selective if he is going to make one or two films a year.
Back in Ra One Full Movie, this shoddy attempt to make a sci-fi superhero flick is ridiculously bad. First what’s up with Bollywood action flicks and slow motion?
Is this an attempt to make the film longer? Speaking of slow speeds, the pacing is terrible.
There is more to a show than say ‘Ra.One’. The special effects, especially the CGI, in Ra One movie did not match Hollywood standards.
Of course, it is even more disturbing in Ra One Movie that Sinha feeds the audience with a spoon while explaining each and every action. Also the humor attempts are pathetic as the ‘jokes’ fall flat.
The songs are awesome and to my surprise they broke one of my all-time favorite songs, ‘Stand By Me’ and replaced beautiful original songs with cheesy Bollywood lines.
The acting is equally terrifying. This is what is expected of Kareena Kapoor in Ra One movie but Shah Rukh also goes on top.
Shahana Goswami is ruined. Priyanka Chopra is irritating in her cameo. Arjun Rampal is the only actor to do well. He definitely fits the title role in Ra One Movie.
I don’t know if this shoddy film did good business or not because if it does, there is going to be a sequel. Not in Ra One Movie!!! Ra no. Give!
It has been promoted as one of the biggest and worst films ever made by Bollywood and since I have an interest in cinema, Ra One movie I decided to do it.
In most respects, it is a typical Indian film for a mass audience: minimal plot, some degree of overacting, flattery of languages other than Hindi, plenty of action, some drama and excitement,
Lots of humor and slaps, of course music, singing and dancing, and – yes – an intermission.
What makes this work a little different in Ra One Full Movie is the cost of the special effects and computer graphics.
But Hollywood has nothing to fear: the film is not going to win new audiences for Indian cinema in the US or Europe and in fact many plot and visual elements are heavily derived from (better) Hollywood films.
Ra One Full Movie has all kinds of jokes that won’t be picked up by non-Indian audiences and a bit of anti-Chinese racism.
Having said all this, if you just go with the flow, it is an entertaining drama and I enjoy Indian style singing and dancing. So, what is this all about?
It is an Indian contribution to the super-hero genre, though oddly the title – an allusion to a mythological character named Lankeshwar Ravana – is a reference to the super-villain in the movie Ra One Full Movie.
Both characters derive from a computer game created by Shekhar Subramaniam at the insistence of both his employer and his son.
Indian superstar Shah Rukh Khan (SRK) Shekhar and his alter-ego are both powerful but autistic G.
Which, after a few tribulations, naturally turns out to be the nemesis of the nickname “Ra One Movie”.
In both the avatars, he is supported by the beloved Kareena Kapoor in his life in London and Mumbai respectively.
If you want to watch a better Indian film, go for “My Name is Khan”, which also stars Shah Rukh, but has a real message – the Ra One movie has minus t
Coming to the professional business, RA-ONE Movie could be off to a phenomenal start, breaking several previous records around the world.
In Ra One Movie, but in cinematic terms, the film starts off on a very poor and mediocre note. Simply put, the first hour of the film is much less than all the hyper-hype created by King Khan himself as it neither presents you with his super-human G-One,
Nor does it entertain you enough with its impressive family scenes and very long computer lab sequences of making a game called RA.ONE.
As revealed prior to its release, Ra One Movie talks about two super-human characters in the movie who move from their virtual game to the real world and then need to improvise over time. As you meet the good robot G-ONE, come out to fight the bad robot called RA.ONE,
In ra one movie One line story can be guessed. So from story point of view you have nothing to surprise you till the end.
But apart from the technical brilliance, the film also fails to impress you with its performance.
The first half mainly talks about the father-son relationship in an interesting way and the film actually begins after several emotional family scenes of about an hour In ra one full movie. But as soon as Nayak Ji-One comes on screen,
In ra one full movie It gets out there with some great graphical representations of the two robots and starts to make an impact. Even after the intermission it provides a pleasant fight sequence to take the story to the Mumbai airport,
But the latter steps onto a completely predictable stage, it all ends with a very weak and generic climax In ra one full movie .
In ra one movie Straight away, they might have spent 150 crores on the project, but still it is nothing close to a very well thought out,
well done or extraordinarily planned project as it is all a badly written one. In Hera One Full Movie based on the script which completely and unconsciously ignores the entertainment factor.
Much depends only on its graphical content. In Ra One Full Movie in simple words, keeping aside the technicalities, it is another typical Bollywood project where the obligatory songs can start at any moment, a forced comic track squeezed in which rarely works and It also takes a little emotional outburst to keep women engaged.
So in spite of the fact that Shah Rukh puts his best efforts in the film flying from building to building, flying many expensive cars into the sky, stopping a speeding train with his bare hands in Ra One Movie and Chhammak Challo, Also dance to RA’s hit track.
Ra One Movie still fails to generate the desired enthusiasm among the audience due to its routine, predictable storyline and poorly written script.
Also in the Ra One movie it was really unacceptable for a film, which is ideally meant to be a children’s film, to use such words and actions in its lead sequences. For example, imagine an 8- to 10-year-old laughing at condoms or asking G.ONE to grab his opponent’s core.
Also, a fat female teacher dancing like a pole dancer in front of her students, considered a good robot G.ONE, pats Karina’s back saying “babes”, looks at the cleavage of a beautiful girl or grabs Karina’s chest and then a gay police officer (with suggestive expressions) tells G.ONE to take off his shirt,
In which is showing the place where the rings have been pierced on his body. Crossing the Boundaries,
Just Tell Me Which Kids Movie Hopes Gentle Age Kids Will Laugh at Names Like “Isky Lee, Her Lee, and Sabki Lee,” a game about fictional female warriors shown on screen go.
In the performance department, only Arjun Rampal out of the entire star-cast has been able to make any impact in his short but powerful portrayal of RA.ONE Movie ,
After this, Armaan Verma is playing the role of Shahrukh’s talented child. No doubt the fans of King Khan would love to see him as the superhero but at the same time they are going to miss the love and warmth in the impassioned act delivered by his adorable star.
In Ra One Movie fact the opening scenes of Shah Rukh 2 as Ji-One reminded me of his performance in My Name Is Khan. And I really didn’t like him making fun of the South Indian talents working in the IT world in his weird hairstyles. kareena kapoor movie,
Just because a woman in a superhero ra one movie should be a good looking showpiece and she does it to perfection. And then a lot of actors are wasted in their short scenes like Shahana Goswami, Dilip Tahil, Sanjay Dutt, Priyanka Chopra, Satish Shah and others.
In ra one full movie addition to the inspiration drawn from ROBOT, RA.ONE contains many references to classic superhero movies such as Frankenstein, Terminator-2, Spider-Man, Iron-Man, Batman, Bicentennial Man, and The Matrix.
It also features a parking scene inspired by an episode of Mr. Bean and a poster taking input from a poster designed for Batman.
Apart from these, Ra One Full Movie also features a cowardly father and a provocateur.Rishtey also reminded me of a Kishan Kumar film called “Papa the Great” (2000) in Ra One Full Movie which was based on the same theme. And interestingly, Kishan Kumar is one of the owners of T-Series, which is the company
Songs
Clips
G.One & Ra.One In Action – RA.One
Record Breaking Train Stunt | RA.One
Best of Shah Rukh Khan | RA.ONE Movie Scenes | DEVDAS Movie Scenes | Bollywood Movies
Shahrukh has his last battle | RA.One
Shah Rukh Khan in a battelship – RA.One
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